Tuesday, May 21, 2013

Dredd (Film) - Review

 When Dredd was announced and trailers started coming out for it, the response seemed pretty negative. I saw people write it off as Hollywood frigidly attempting to make a quick buck off of the nostalgia of its audiences for the 90s Stallone film and Judge Dredd comic book series. When the movie actually hit theaters, the reaction was surprisingly positive. Those that saw the movie generally had great things to say about it, and the movie was critically well-received despite being a financial flop, actually losing money at the box office. I haven't extensively read the comics, nor have I seen the Stallone movie, but my interest was piqued. I just got done watching it on Blu-Ray, and I'd say it's a pretty good action-filled romp, despite some problems with characterization. 


The movie starts off with an incredibly awesome intro sequence establishing Dredd as a badass cop [called a "Judge"] trying to establish justice in a city filled to the brim with crime. After that, Dredd is introduced to a rookie named Anderson that just narrowly failed her exam to become a Judge. He is instructed to take her out on duty and judge whether or not she should be hired, because she not only shows potential but she has psychic powers. The two decide to investigate a block at the scene of a triple-homicide.

They encounter a man that Anderson's psychic powers tells her is responsible for the triple-homicide, but Dredd decides rather than trust her "ninety-nine percent" certainty, it's best to take him in for interrogation. This intimidates drug-lord Ma-Ma, who has employed this man in her gang's murderous domination on other gangs and the production and distribution of an illegal drug called "Slo-Mo." She devises a plan that sends the entire block into lockdown, and intends to kill Dredd and Anderson in order to stop them from taking in the man for interrogation and spilling the details on her operation. The basic premise is established: Dredd and Anderson have to get themselves out of this block alive, and ensure justice is served. 


It's a pleasantly simple premise. This allows for tons of action, and the action is good. The violence looks great. It certainly leans on the cheesy side, but that doesn't take away from the entertainment value. People's faces get torn apart, mush that looks like bubble gum is underneath of skin, the "Slo-Mo" drug allows for some sweet slo-mo sequences, and the various applications of Dredd's weaponry are fun to watch. It's brutal, but rather than being uncomfortable, the brutality serves as spectacle when it's supposed to be spectacle and service to the story when it's supposed to be service to the story. The low budget makes the film look noticeably less produced than other movies you'd see at the theater, but it's not much of a problem. The story is unaffected and what they do with the budget is creative and looks good, so I can't knock it too much for its noticeably low budget.

My biggest issue with the movie is a rather annoying plot hole dealing with Dredd's characterization. As I said earlier, Dredd decides at the beginning of the movie that Anderson's "ninety-nine percent" certainty wasn't good enough to execute the man for the triple homicide, so they have to take him in for interrogation. This implies that he needs a spoken confession or hard evidence for an execution. However, later in the movie, in an act of rage, Dredd decides to do a makeshift interrogation of his own, and eventually allows Anderson to read the man's mind. "If you leave it to me he doesn't have to speak," Anderson says. She learns about Ma-Ma's operation in full through just her psychic interrogation, and not through a spoken confession or any hard evidence. Dredd doesn't object this time, and even formally accuses Ma-Ma of the new information he acquires from this moment shortly after. Is this because he gained more trust in Anderson from the start of the movie up to that point? Maybe that's what they were going for, but nothing here substantially makes that implication. By the end Dredd certainly seems to have gained trust in her, but I think the moments that made that change in him happen after this troubling scene. As it stands, Dredd seemingly makes a decision during this makeshift interrogation that contradicts the decision at the beginning of the film that gets them wrapped up in this predicament in the first place. 


Looking past that, the performances are great and the film does some great things thematically. Karl Urban plays a badass Dredd and has some really satisfying dialogue. The movie establishes him as an uncompromising function of the law that isn't against executing those that the law finds guilty of such a punishment. This of course raises ethical questions about government-sanctioned execution, that is thankfully challenged through Anderson's character, played by Olivia Thirlby. She hesitates to use her power to execute as she is more empathetic and kind, seeing the good in people and the problem with the coldness of government execution. Lena Heady plays a detestable bad guy as Ma-Ma that sets up a conclusion that has Dredd giving her a taste of her own medicine. How Dredd does what he needs to do comes off as uncharacteristically cruel from him, but brings her story arc full-circle in an inventive way.  

The action really is great, and unabashedly violent without being uncomfortable. The characterization of Dredd takes some head-scratching turns towards Unchallenged Contradiction City, which really hurts the film. But the characterization at its best is when the movie really shines, portraying Dredd as an utterly badass but ethically questionable function of law-enforcement and Anderson as a sympathetic counterweight, both fighting against the despicable baddy in Ma-Ma. As a whole, it's pretty good. 

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