Showing posts with label animation. Show all posts
Showing posts with label animation. Show all posts

Sunday, December 15, 2013

Frozen (Film) - Review

I was taken by surprise at the decent acclaim that Tangled garnered, and so too was I taken aback by the response to Frozen. The trailers make Frozen out to be nothing too special, but that isn't the case. This is a special movie that will almost certainly go down in history as another Disney classic. With Frozen, Disney has crafted a self-aware, forward-thinking, and also very enjoyable film.

Tuesday, June 25, 2013

Paranorman (Film) - Review

The commercials leading up to the release of Paranorman did not properly represent what it is. These previews made the movie out to be a mindless kids-slanted comedy, albeit with some pretty animation. And that's really not a fair depiction of this film. It's much better than that. Paranorman is funny, and has some stunning visuals, but it also tells a thoughtful, moving little tale.


Paranorman is a mash-up of drama, comedy and horror. The movie's endearing protagonist is Norman, a kid ostracized because of his supernatural powers. He can see the dead, and while it's very real to him, others don't believe him and don't wish to attempt to understand him. However, things get interesting when an outbreak of zombies attack the town, and Norman is the only one that can save the day. It's a clever set-up that lends itself to a compelling theme.

Paranorman confronts the nature of fear, and how it makes well-intentioned people treat others poorly. And all throughout the movie, there are bits of smart, more random satire that fit in snugly. I was taken aback at how well Paranorman manages to make commentary without attacking any kind of people. Bullies, for example, are challenged in this movie, but through comedy and simple logic, the movie lets the audience know why we should be against bullying, without demonizing the children who happen to be bullies. And then some of the humor is just gags, and it's mostly very funny and clever. Like most comedies, it slips into awkward, groan-worthy territory at times, but here it's very rare.


This movie has superb aesthetics, which shouldn't be a surprise to anyone who has seen a commercial for it. The stop-motion animation is quick, snappy and gives the movie a distinct and delightful charm. The movie is vibrant within its specific color palette, which is a bit dark, but it fits. All of the characters have exaggerated personalities that are perfectly represented visually, and the performances for their voices are also great, for that matter. The dull, teenaged beef-cake, for example, has a ridiculously toned chest, rarely seems to look people in the eyes when he speaks to them, and has a compressed, simple voice. The movie effectively plays up a light-horror vibe. The movie's intro sequence and end credits do an especially good job of this, but the creepy yet goofy monsters and nods throughout also do the trick.

Paranorman surprised me. It's a brilliant film. It looks excellent and is filled with creativity. It's very funny. And it's also a very intelligent movie that says a lot and does a remarkable job of saying it all. I love this movie: It's truly fantastic.

Friday, June 21, 2013

Monsters University (Film) - Review

Pixar was once known as a group of film-makers with a perfect track-record. Now, with movies like Brave that didn't give people the oomph they expected, and an influx of sequels that are making people doubt the studio's creativity as of late, that reputation has dwindled. Monsters University is Pixar's latest film, and it pains me to say, as a big fan of Pixar, that this movie is very bad. There are some good laughs and the movie looks nice, but it's aimless and sometimes even mean. 


Monsters University is a prequel to Monsters Inc., following Mike and Sully as college students. In Monsters Inc., it's established early on that these two are amongst the best in their profession, and this movie aims to tell the story of how they got to that point. And it really doesn't tell that story at all! The story of how they actually get good at their profession is told through a contentless time-lapse at the end of the film, after the climax. What actually makes up the bulk of this movie is a meandering lot of comedy, visual effects and underdeveloped, lazy, senseless plot that actually manages to offend. 

About half of the jokes are tired and groan-worthy affairs that have been done to death in other movies. Get ready to see a stock-nerdy kid moan at his mom for making him look lame because she's a mom and that's lame. The other half are very funny and very clever, playing off of the stereotypes of the characters. That same lame mom character has a particularly hilarious bit when we learn about her music tastes. And continuing on a positive note, the movie is very colorful and animates very well. The characters really come to life and some cool things are done visually every now and again. 


But I can't be too positive. Two big things really ground my gears, which brings me to my conclusion that this is a very bad movie. The first is that the movie establishes an interesting, tough dilemma, but really doesn't solve it at all. Mike and Sully both want to be great scarers, but Mike lacks natural talent and struggles actually performing, and Sully is too caught up on resting on his laurels and doesn't want to hit the books. Do they better themselves? Sometimes they do things that are impressive within the context of this movie, but it always feels fake. Mike doesn't find any solution at all for his problem, and Sully consistently refuses to hit the books and try harder. And for whatever reason, even though they both seem to have equal problems to me, the movie looks down upon Mike more and Sully less, which is jarring. 

The second problem is what actually managed to strike me as unethical, which is the elitism that the movie defends. Other professions besides scaring are always treated as a complete joke by this movie. At one point Mike is discouraged from scaring, and goes to a class about the production of scare canisters, which is an important role in this society, but even the professor hates it. There are a few stock-nerd characters that Mike is trapped into playing with in a scaring competition, and two of them show passion for unique career choices of their own, but by the end of the film they still decide to go for scaring. Their "skill" that is "gained" in scaring is even faker than Mike and Sully's because their apparent skill gain is usually just meant to be goofy anyway, because the notion of these characters doing well with scaring is laughable. 


This isn't a good movie. Unlike Cars, I can't even say that it isn't bad, because it is. It's very bad. The movie struggles to make a point, and when it does, it's not very nice. There are some laughs that are truly great, and Pixar is still able to make a very pretty movie, but that's not enough to pull this lazy movie out of the mud. If this wasn't a sequel, I wouldn't believe you if you told me it's a Pixar movie.